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Byron gave a paper titled ‘Schoenberg’s or Adorno’s aesthetics of performance? ’ in a conference on Adorno and Performance, 13-14 September 2008, Royal Northern College of Music, Manchester, UK

 

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Avior Byron

My name is Avior Byron and I am a musicologist, blogger and composer. I write books, articles and a blog about music, performance, research, and theory. Read more at my about page

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Save the Music Library in Tel-Aviv - sign petition now!

A few heartless people in the Tel-Aviv City Hall aim to close the Music Library in Tel-Aviv (Felicia Blumental Library) by gradually reducting its budget. Please take two minutes and sign the petition here in order to help preventing this. Please forward the address of this page to as many people that you know so that they will sign and help.

I am doing research at this library (on Huberman) on a weekly basis. I can assure you that it contains cutural treasures such as the Huberman Nachlass as well as that of many other international and Israeli musical figures. We must spread this information and find as many people as possible that will sign the petition so that the Library’s cutural treasures will not be lost.

I suggested to some people who are concerned that it would be very useful to arrange a concert in protest of the decision. If you are a musician in Israel, please contact me if you are willing to perform in such a concert. If you are a musician out of Israel you may consider making an internet performance on YOUTUBE adding that it is for this cause (if you do so, let me know about it, and I will add it to my blog).

Here is more information in Hebrew:

ื‘ื™ืžื™ื ืืœื” ื ื“ื•ื ื” ื‘ืขื™ืจื™ื™ืช ืชืœ-ืื‘ื™ื‘ ื”ืืคืฉืจื•ืช ืฉืœ ืงื™ืฆื•ืฅ ื“ืจืžื˜ื™ ื‘ืชืงื ื™ื ื”ืขื•ืžื“ื™ื ืœืจืฉื•ืชื” ืฉืœ ื”ืกืคืจื™ื™ื” ืœืžื•ื–ื™ืงื” (ื‘ืžืจื›ื– ืœืžื•ื–ื™ืงื” ืข"ืฉ ืคืœื™ืฆื™ื” ื‘ืœื•ืžื ื˜ืœ). ื™ื™ืชื›ืŸ ืžืื•ื“ ืฉื”ืชืงื ื™ื ื•ืฉืขื•ืช ื”ืขื‘ื•ื“ื” ืฉื™ื™ื•ื•ืชืจื• ืื—ืจื™ ื”ืงื™ืฆื•ืฅ ื™ื•ืจื™ื“ื• ืžืฉืžืขื•ืชื™ืช ืืช ืชืคืงื•ื“ื” ืฉืœ ื”ืกืคืจื™ื™ื” ืœืฉืคืœ ืฉืื™ื ื• ืžืืคืฉืจ ืฉื™ืจื•ืช  ืžืงืฆื•ืขื™  ื•ืื—ืจืื™; ืœืžืขืฉื”  -  ื‘ื˜ื•ื•ื— ืงืฆืจ ืื• ืืจื•ืš ืงืฆืช ื™ื•ืชืจ  -  ืœืžืฆื‘ ืฉื‘ื• ืื™ืŸ ืขื•ื“ ื˜ืขื ื‘ืขืฆื ืงื™ื•ืžื” ืฉืœ ื”ืกืคืจื™ื™ื”, ื•ืœืกื’ื™ืจืชื” .

ื›ืœ ืžื™ ืฉื ืขื–ืจ ื‘ืฉื™ืจื•ืชื™ื” ืฉืœ ื”ืกืคืจื™ื™ื” ืœืžื•ื–ื™ืงื”, ื•ื›ืœ ืžื™ ืฉื‘ืงื™ ื‘ื—ืฉื™ื‘ื•ืชืŸ  ื‘ืชืคืงื™ื“ื™ื”ืŸ ื”ืžื’ื•ื•ื ื™ื ื•ื‘ื“ืจื›ื™ื ืฉื‘ื”ืŸ ืืžื•ืจื•ืช ืกืคืจื™ื•ืช ืžืกื•ื’ ื–ื” ืœืฉืจืช ืืช ื”ืงื”ืœ ื”ืคื•ื˜ื ืฆื™ืืœื™ ืฉืœื”ืŸ, ืžื‘ื™ืŸ ืฉืฆื•ื•ืช ืžื™ื ื™ืžื•ื ื•ื‘ื• ืฉื ื™ ืกืคืจื ื™ื ื‘ืœื‘ื“ (ื•ื‘ืžื•ื ื—ื™ื ื™ื‘ืฉื™ื ืฉืœ ืžืฆื‘ืช ื›ื•ื—-ืื“ื  -  ืกืคืจืŸ-ื•ื—ืฆื™ ), ื”ืžืžื•ื ื” ืœื‘ื“ื• ืขืœ ืื•ืกืคื™ื ื’ื“ื•ืœื™ื ืžืื•ื“ ืฉืœ ืกืคืจื™ื, ืคืจื˜ื™ื˜ื•ืจื•ืช ื™ืฉื ื•ืช ื•ื—ื“ืฉื•ืช, ืชืงืœื™ื˜ื™ื ,ื“ื™ืกืงื™ื, ื›ืžื” ื•ื›ืžื” ืืจื›ื™ื•ื ื™ื (ื‘ื”ื ืืจื›ื™ื•ืŸ ื‘ืจื•ื ื™ืกืœื‘ ื”ื•ื‘ืจืžืŸ ื•ืขื–ื‘ื•ื ื•ืชื™ื”ื ืฉืœ ื™ื”ื•ื™ื›ื™ืŸ ืกื˜ื•ืฆ’ื‘ืกืงื™ ื•ืžื ืฉื” ืจื‘ื™ื ื) ื•ืื•ืกืฃ ืžื™ื•ื—ื“ ืฉืœ ื›ืœื™-ื ื’ื™ื ื”   -  ืฆื•ื•ืช ืžื™ื ื™ืžื•ื ื›ื–ื” ืื™ื ื• ืืœื ‘ืขืœื” ืชืื ื”’. ื‘ืฉืขื•ืช  ื”ืขื‘ื•ื“ื” ื•ื‘ืฉืขื•ืช ื”ืคืชื™ื—ื” ื”ืžืขื˜ื•ืช ืฉื™ืืคืฉืจื• ื”ืชืงื ื™ื ื”ื—ื“ืฉื™ื , ื”ื ื“ื•ื ื™ื ืขืชื” ื‘ืขื™ืจื™ื™ื”, ืขืฉื•ื™ ืฆื•ื•ืช ื›ื–ื” ืœื‘ืฆืข ืจืง ืžื™ื ื™ืžื•ื ืฉืœ ื”ืฉื’ื—ื” ืขืœ ื”ื‘ื ื™ื™ืŸ ื•ืขืœ ื”ืžืœืื™ ืฉื‘ืชื•ื›ื•. ื”ืจื™ ื”ืกืคืจื™ื™ื”, ืฉืฆื‘ืจื” ื•ืชืง ื•ื ื™ืกื™ื•ืŸ ืžืื– ืฉื ื•ืช ื”ื—ืžื™ืฉื™ื , ืื™ื ื” ืžืชืžืงื“ืช ื‘’ืชืฆื•ื’ืช ื—ื•ืžืจื™ื’ ื‘ืœื‘ื“ ื•ืœื ืจืง ื‘ื”ืฉืืœื”-ื›ืฉืœืขืฆืžื”. ื”ืงื”ืœ ื”ืžื’ื•ื•ืŸ ืฉืœื” (ืžืชืœ-ืื‘ื™ื‘ ื•ืžื—ื•ืฅ ืœืชืœ-ืื‘ื™ื‘)  - ืกื˜ื•ื“ื ื˜ื™ื ืฉื”ืกืคืจื™ื™ื” ืžืฆื™ืขื” ืœื”ื, ืœื ืคืขื , ืชื•ื•ื™ื ื•ื”ืงืœื˜ื•ืช ืฉืื™ื ื ื ืžืฆืื™ื ื‘ืื•ื ื™ื‘ืจืกื™ื˜ื” ื•ื‘ืžื›ืœืœื”; ืชืœืžื™ื“ื™ื ื‘ืžื’ืžื•ืช ืžื•ื–ื™ืงื”; ืžื•ืจื™ ืžื•ื–ื™ืงื” ื‘ื‘ืชื™-ืกืคืจ ื•ืžื•ืจื™ื ืœื›ืœื™ ื ื’ื™ื ื”; ื ื’ื ื™ื, ืžื ืฆื—ื™ื ื•ื–ืžืจื™ื ื•ื›ืŸ ื—ื•ื‘ื‘ื™ ืžื•ื–ื™ืงื” ืจื‘ื™ื ื ื–ืงืง ื›ืžืขื˜ ืชืžื™ื“ ืœืฉื™ืจื•ืช ืžืงื™ืฃ, ืžื” ื’ื ืฉื—ื•ืžืจื™ ื”ืกืคืจื™ื™ื” (ืฉืœื ื›ืžื• ื‘ืกืคืจื™ื•ืช ืฆื™ื‘ื•ืจื™ื•ืช ื›ื’ื•ืŸ ื‘ื™ืช-ืืจื™ืืœื”) ืื™ื ื ืžื•ืฆื’ื™ื, ื•ืื™ื ื ื™ื›ื•ืœื™ื ืœื”ื™ื•ืช ืžื•ืฆื’ื™ื, ื‘ืื•ืคืŸ ื—ื•ืคืฉื™ ืขืœ ื”ืžื“ืคื™ื. ื”ืฉื™ืจื•ืช ื”ืžืงื™ืฃ ื›ื•ืœืœ, ืœืขืชื™ื ืงืจื•ื‘ื•ืช, ื™ืขื•ืฅ, ื”ืคื ื™ื” ื•ื”ืžืœืฆื” ืžืคื•ืจื˜ืช (ืื™ื–ื” ืกืคืจ , ืื™ื–ื• ืคืจื˜ื™ื˜ื•ืจื”, ืื™ื–ื• ื”ืงืœื˜ื”, ืื™ื–ื” ื‘ื™ืฆื•ืข ืžื•ืงืœื˜, ืžืชืื™ืžื™ื ืœืฆื•ืจืš ืกืคืฆื™ืคื™, ืœืžื•ืจื” ืžืกื•ื™ื ืื• ืœืกื˜ื•ื“ื ื˜ ืžืกื•ื™ื ืื• ืœืžื‘ืฆืข ืžืกื•ื™ื, ื•ื”ื™ื›ืŸ ืžื•ืฆืื™ื ืื•ืชื), ืžืชืŸ ืขื–ืจื” ื‘ืฉื™ืžื•ืฉ ื‘ืžื›ืฉื™ืจื™ ื”ื”ืื–ื ื”, ืกื™ื•ืข ืœืชืœืžื™ื“ื™ื ื•ืœื—ื•ืงืจื™ื ื‘ื”ืชืžืฆืื•ืช ื‘ื—ื•ืžืจื™ื ืฉื”ืกืคืจื™ื™ื” ืžืฆื™ืขื”.  ืฉื™ืจื•ืช ื–ื” ื”ื•ื ืœื‘-ืœื‘ื” ืฉืœ ื”ืกืคืจื™ื™ื” ืœืžื•ื–ื™ืงื”; ื”ื•ื ื“ื•ืจืฉ ืฆื•ื•ืช ืกื‘ื™ืจ ื•ืฉืขื•ืช ืขื‘ื•ื“ื” ื•ืคืชื™ื—ื” ืกื‘ื™ืจื•ืช ; ื•ื™ืชื•ืจ ืขืœื™ื•  - ื›ืžื•ื”ื• ื›ืกื’ื™ืจืช ื”ืกืคืจื™ื™ื”, ื•ืชืงื ื™-ื”ืžื™ื ื™ืžื•ื ื”ื ื“ื•ื ื™ื ื‘ืขื™ืจื™ื™ืช ืชืœ-ืื‘ื™ื‘ - ืื›ืŸ ืคื™ืจื•ืฉื ื•ื™ืชื•ืจ ื•ืกื’ื™ืจื” .

ืื ื• ืคื•ื ื™ื ืœื›ืœ ืžืงื‘ืœื™ ื”ื”ื—ืœื˜ื•ืช ื‘ืขื™ืจื™ื™ื” ืœืฉืงื•ืœ ื”ื™ื˜ื‘ ืืช ืžืฉืžืขื•ืชื• ืฉืœ ืงื™ืฆื•ืฅ ืงื™ืฆื•ื ื™ ื•ืœื ืœื”ื•ืฆื™ื ืื•ืชื• ืืœ ื”ืคื•ืขืœ .

ืื ื, ืฆืจืคื• ืืช ื—ืชื™ืžืชื›ื ืœืขืฆื•ืžื” ื–ื• . 

http://www.atzuma.co.il/musiclibrary

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3 Responses to “Save the Music Library in Tel-Aviv - sign petition now!”

  • Erik Levi responded:

    It would be scandalous to cut back on such a vital resource for musicians

  • PhD. Yehudit Carmon responded:

    ื”ื™ื•ืช ื•ื‘ืกืคืจื™ื” ื–ื• ื™ืฉื ื” ืžื•ืจืฉืชื• ืฉืœ ื”ื•ื‘ืจืžืŸ ื•ืฉืœ ืขื•ื“ ืžื•ืกื™ืงืื™ื ืชืœ-ืื‘ื™ื‘ื™ื™ื ื—ืฉื•ื‘ื™ื (ืฉื”ื›ืจืชื™),
    ื ืจืื” ืœื™ ืฉื›ื“ืื™ ืœืคื ื•ืช ื’ื ืœืžื™ ืฉืื•ืฆืจ ืืช ื”ืกืคืจื™ื” ืฉืœ ื”ืคื™ืœื”ืจืžื•ื ื™ืช.
    ื ืจืื” ืœื™ ืฉื’ื ืœื”ื ื™ื”ื™ื” ืื›ืคืช ืžืขื–ื‘ื•ื ื• ืฉืœ ืžื™ื™ืกื“ื ื”ื•ื‘ืจืžืŸ ื•ืžื”ืชืœ-ืื‘ื™ื‘ื™ื ืฉืืช ื™ืฆื™ืจื•ืชื™ื”ื ื ื’ื ื•.
    ืื•ืœื™ ื™ืฉืชืคื• ืคืขื•ืœื” ื”ื ืขื ืขื™ืจื™ื™ืช ืชืœ-ืื‘ื™ื‘ (ืฉืื›ืŸ ื™ื•ืจื“ืช ื•ื™ื•ืจื“ืช ื‘ืจืžืช ื”ืชืจื‘ื•ืช ืฉืœ, ืœืžืจื•ืช ืฉืžื‘ื™ืื” ืคืขื ื‘ืฉื ื” ืืช ื”ืคื™ืœื”ืจืžื•ื ื™ืช ืœืคืืจืง ื™ื”ื•ืฉื•ืข…)
    ื™ื™ืฉืจ ื›ื— ืขืœ ื”ืขืฆื•ืžื”, ื•ืขืœ ื–ื›ื™ื™ืชืš ื‘ืงืจืŸ ืขื‘ื•ืจ ื›ืชื™ื‘ื” ืขืœ ืฉื ื‘ืจื’.
    ื”ืžืชื—ื™ืœ ื‘ืžืฆื•ื•ื” ืื•ืžืจื™ื ืœื• ื’ืžื•ืจ, ืœื›ืŸ ื”ืขื‘ืจืชื™ ืœืš ืืช ื”ืจืขื™ื•ืŸ ืœืฉืชืฃ ืืช ื”ืคื™ืœื”ืจืžื•ื ื™ืช ื‘ืขื ื™ื™ืŸ.
    ื‘ื‘ืจื›ื”
    ื™ื”ื•ื“ื™ืช
    PhD. Yehudit Carmon
    Phone: 972-3-5238193
    Fax: 972-3-5291330
    carmonj@013.net

  • James L. Zychowicz responded:

    I just want to mention that as a Mahler specialist, I find it important to maintain the Music Library in Tel-Aviv, since it contains some important materials related to this composer. I’ll be glad to sign the petition.

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