Latest news

Byron will give a keynote paper at the conference "Schoenberg at 140 "
 

Subscribe to ByMusic.org

Enter your email and press the 'Subscribe' button to receive blog posts via email:

         

Subscribe via RSS

What is RSS?

Follow @avior on Twitter

People reading Bymusic now

We have 2 guests online

Translate this page now

Recently at the Blog

Who is Behind ByMusic.org?

Avior Byron

My name is Avior Byron and I am a musicologist, blogger and composer. I write books, articles and a blog about music, performance, research, and theory. Read more at my about page

What next?


 Subscribe to the Blog


Click here to add site to your favorites

What I'm doing just now

Polls

What is THE best way to find scholarships?
 

Bronislaw Huberman: the cherubim descended at the recall to play

Carl Bronson wrote at The Los Angeles Evening Herald and Express of 16 April 1937: ‘the results of [Huberman’s] … magnificent musical ideals are overwhelming. His violinresponds to every whim, and these are many, as this very unusual Paganini draws from the wood and strings his celestial idioms… Strange to say, Huberman looks as did Brahm’s friend Remenyi and the concerto sounds more Hungarian than German. Merely coincidence, but very interesting.’

The Smith’s Weekly from Sydney Australia wrote on 23 June 1937: ‘Short of stature, stern of mien, with grave eyes that calmly surveyed the crowded Sydney Town Hall without apparent interest; prominent brows surmounted by a massive dome of forehead; pouted lip, compressed in a thin line of individual character almost as forbidding in its seriousness as the mask of Beethoven – Bronislaw Huberman … bowed solemnly when he appeared at his first concert on Saturday night.’
 
Thorold Waters of The Sun News-Pictorial from Melbourne, Australia wrote on 12 July 1937: ‘It was a though one of the cherubim [angels] descended at the recall to play the Andante from the Third Partita, spiritually the most serene Bach performance Melbourne has enjoyed on any instrument, or set of them, for ever so long.’
 
The Argus Monday wrote on 26 July 1937: ‘The popular conception of Delius as an enfeebled visionary found no echo in Huberman’s dynamic reading of the composer’s only violin concerto. Not alone a great musical performance, but a psychological study of significance and power, this interpretation revealed the authentic Delius, whose proud, secretive, and indomitable temperament rose superior to paralysis and loss of sight.’

No Comments

Add your own comment...

Copyright Avior Byron 2014 .