Books, Articles, Conferences and Seminars that quoted work by Avior ByronHere is some of the academic work that quoted Avior Byron's research on music: BooksBryn-Julson, Phyllis and Paul Matthews, Inside Pierrot lunaire: Performing the Sprechstimme in Schoenberg's Masterpiece (Lanham, Maryland; Toronto; Plymouth, UK: The Scarecrow Press, 2009), pp. 72-74, 76. Soder, Aidan, Sprehstimme in Arnold Schoenberg's Pierrot lunaire: A Study of Vocal Performance Practice (Lewiston, Queenston, Lampeter: The Edwin Mellen Press, 2008), p. v, 10, 18n, 19n. Sabine Feisst (Arizona State University) ed., Schoenberg in America: Correspondence with Composers, Publishers, Performers and Students, (Oxford University Press) vol 9 out of nine volumes called Schoenberg in Words: Teachings, Correspondence and other Writings (1890-1951), general editors: Severine Neff and Sabine Feisset, Oxford University Press, work in progress. ArticlesW.L., Conte. 'Understanding the reception of Schoenberg's music from a neuroscientist's perspective'. Submitted to Current Musicology (under review), February 2009. from http://conteresearch.com/navigation/articles.html ReviewsHeneghan, Aine, "Review of Schoenberg's Zeichen by Jean-Jacques Dunki", Notes (June 2007). Conferences and seminarsJune 24-27, 2007 - Mannes College, New York City, The Mannes Institute: Schoenberg and his Legacy, Walter Frisch (Columbia University), "SCHOENBERG AND THE RELATIONSHIP TO THE TEXT". Walter Frisch assigned the following article to be read by conference participants: Avior Byron, ‘The test pressings - Sprechstimme reconsidered’, Music Theory Online (MTO), 12/1 (February 2006), University of London, Royal Holloway, MU5500 Music & Musicology, Course tutor: Dr. Julie Brown (2007-8). Tuesday 13 November [Week 8], 4-6pm. Jane Manning (Kingston University). Pierrot lunaire - The Reciter's Role in Context. Students were asked to read the following two articles: (1) Avior Byron, With Matthias Pasdzierny, ‘Sprechstimme Reconsidered Once Again: “... though Mrs. Stiedry is never in pitch”’, Music Theory Online (MTO), 13/2 (June 2007); (2) Avior Byron, ‘The test pressings - Sprechstimme reconsidered’, Music Theory Online (MTO), 12/1 (February 2006),
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