Latest news
| Avior Byron will present a paper 'Huberman as Beethoven' in the 2010 Israel Musicology Conference. |
Subscribe via RSS
People reading Bymusic now
We have 8 guests onlineSupport ByMusic.org
Support that advance of research on music by donating as much as youwish:
Thank you!
Translate this page now
Recently at the Blog
Who is Behind ByMusic.org?
 |
My name is Avior Byron and I am a musicologist, blogger and composer. I write books, articles and a blog about music, performance, research, and theory. Read more at my about page |
Blog categories
Categories- Music (135)
- Performance (72)
- Books (25)
- Research (80)
- Research proposal (6)
- Musicology in Israel (29)
- Resources (20)
- Advice for PhD students (24)
- Education (41)
- Reviews (38)
- Book reviews (9)
- Article reviews (6)
- CD reviews (1)
- Concert reviews (17)
- DVD review (3)
- Conferences (11)
- Film reviews (2)
- Arnold Schoenberg (44)
- Interviews (10)
- Thoughts about blogging (4)
What I'm doing just now
Polls
|
Books, Articles, Conferences and Seminars that quoted work by Avior Byron Here is some of the academic work that quoted Avior Byron's research on music: BooksSoder, Aidan, Sprehstimme in Arnold Schoenberg's Pierrot lunaire: A Study of Vocal Performance Practice (Lewiston, Queenston, Lampeter: The Edwin Mellen Press, 2008), p. v, 10, 18n, 19n. Sabine Feisst (Arizona State University) ed., Schoenberg in America: Correspondence with Composers, Publishers, Performers and Students, (Oxford University Press) vol 9 out of nine volumes called Schoenberg in Words: Teachings, Correspondence and other Writings (1890-1951), general editors: Severine Neff and Sabine Feisset, Oxford University Press, work in progress. Articles in booksRichard Kurth, 'Pierrot Lunaire: persona, voice, and fabric of allusion' in Jennifer Shaw and Joseph Auner, eds., The Cambridge Companion to Schoenberg (New York, Melbourne,,,: Cambridge University Press, 2010), p. 128 (referencing ‘The Test Pressings of Schoenberg Conducting Pierrot lunaire' (2006), and in Select Bibliography of p. 294 there is a mention of this article and 'Pierrot lunaire in studio and in broadcast: Sprechstimme, tempo and character', (JSMI), 2 (2006-7).. ArticlesW.L., Conte. 'Understanding the reception of Schoenberg’s music from a neuroscientist’s perspective'. The Journal of Undergraduate Research, 10, pages 1-9, 2009. from http://conteresearch.com/navigation/articles.html ReviewsHeneghan, Aine, "Review of Schoenberg's Zeichen by Jean-Jacques Dunki", Notes (June 2007). Conferences and seminarsJune 24-27, 2007 - Mannes College, New York City, The Mannes Institute: Schoenberg and his Legacy, Walter Frisch (Columbia University), "SCHOENBERG AND THE RELATIONSHIP TO THE TEXT". Walter Frisch assigned the following article to be read by conference participants: Avior Byron, ‘The test pressings - Sprechstimme reconsidered’, Music Theory Online (MTO), 12/1 (February 2006), University of London, Royal Holloway, MU5500 Music & Musicology, Course tutor: Dr. Julie Brown (2007-8). Tuesday 13 November [Week 8], 4-6pm. Jane Manning (Kingston University). Pierrot lunaire - The Reciter's Role in Context. Students were asked to read the following two articles: (1) Avior Byron, With Matthias Pasdzierny, ‘Sprechstimme Reconsidered Once Again: “... though Mrs. Stiedry is never in pitch”’, Music Theory Online (MTO), 13/2 (June 2007); (2) Avior Byron, ‘The test pressings - Sprechstimme reconsidered’, Music Theory Online (MTO), 12/1 (February 2006),
|
|
| Last Updated ( Thursday, 29 July 2010 ) |